For the last year or two I've been doing a lot of live visual performance work - initially via the
Algorave movement, leading on to countless
chiptune gigs and even the odd festival. This has been a lot of fun, and is very creatively fulfilling, but of course in my usual manner I've tried to keep the momentum up and use my live work to power other stuff.
The latest outlet for this is my new print series, which I've started to put together using my livecoding work as a source. The transient aspect of performances is what really interests me about doing things live - once the set has finished the code no longer exists - and I wanted to really try and capture that in some way.
